Kabul Afghanistan Music
Music has flourished in Afghanistan since 2001, but at just one year old, the Afghan National Institute of Music is a testament to a musical tradition that has been severely damaged by years of war and sometimes religious prohibition. Hundreds of students, both male and female, learn the craft at Sarmast School, which represents Afghanistan's music in all its many forms. Afghan instruments that transform musicians from the Afghan National Institute into instruments of their own creation, such as guitar, violin, piano and drums.
Iranian singers such as Googoosh, who sang Persian songs composed in Afghanistan in the 1960s and 1970s, as well as songs from the Middle East and Europe.
CDs featuring exiled singers like Naghma were hugely popular in Kabul markets after the fall of the Taliban in 2001. Children's Songs of Afghanistan, based on the original songbooks, has been printed and distributed in schools across Afghanistan. The songbook is offered free of charge in Afghanistan and is purchased by Afghans living in and around Afghanistan and by the U.S. government. It has led to the creation of a wide range of educational programmes for children and young people in Kabul and other cities.
Afghan city music is one of the most popular forms of folk music in Afghanistan, and Kabul and Herat are the cities and areas that have the greatest tradition of foreign music in the whole of Afghanistan. Afghan music, but most of the musicians in Afghanistan come from rural areas, especially from northern and eastern parts of Afghanistan such as Kandahar, Kabul, Nangarhar, Baghlan and Kandahari.
Tambur (tanbur dutar) is one of the two other instruments used in Afghan folk music, and is also the same as the Kurdish tan burbs (dutsar) used in Iran and other Central Asian countries. Classical music in Persian Khorasan and Afghanistan is a combination of folk, classical, folk and classical music from different traditions. Pashto, which is at the same time part of the Indian and classical traditions, is the most popular form of Persian and Persian music in Afghanistan and the world.
The national instrument of Afghanistan is the ruby, which is believed to originate from the Pashtun areas in the south-east of the country. It is also found in other eastern countries, including India, Afghanistan, Iran and Pakistan. Songs and dances are also performed in many other countries in Central and East Asia, as well as in Europe and North America.
The most popular music tradition in Afghanistan is the Pashto, which is also a folk, Indian and classical tradition. For example, Afghan music can be divided into styles that are mainly adopted by Farsi and Persian-speaking musicians, which are simply referred to as "Afghan music." The classical music form of Afghanistan can also be called classical, as it includes belly dancing - dancing ragas and other forms of folk music, such as folk dance, folk opera and folk opera - esque dances. It can be divided into a style that is mainly adopted by Iranian and Iranian-Persian-speaking musicians, simply called "African music."
The urban Afghan style, which originated in Kabul but has reached other cities through radio broadcasts, is a combination of Pashto, Dari, Uzbek and Hazaragi, sung in various styles such as folk, folk opera and classical music. This style borrows from the traditional music of other countries in the Middle East and North Africa, and fuses these styles into a sound that is unique in Afghanistan and suitable for a DARI speaking audience. Music is seen as a unifying force in Afghanistan, as it is one of the most popular forms of cultural expression for the people of Afghanistan. Afghanistan is home to the world's largest number of musicians, musicians and musicians.
What helped create pop music in Afghanistan was the efforts of those who wanted to show off their talents. Afghan music created and innovated by amateurs, but also by professionals from the music industry and the art scene.
Sarban chose poems by the great classical Persian and Dari poets and used compositions that incorporated elements of Western jazz and belle chanson with Mohali, a regional tradition in Afghanistan. Sarban selected poems from the greatest poets of classical music and Farsi / Dali culture and presented compositions that combined elements of Western jazz, bells and chansons with the mahali and regional traditions of Afghanistan. Sarban's poems were chosen from the great classics and Persians.
Sarban's songs are set to a unique Farsi-Afghan sound, characterized by the use of bells, bells and chansons, as well as a strong emphasis on the melody and rhythm of the song. Sarban's songs are set pieces of the unique Fareschi / Afghan music sounds, characterized by the presence of horns, trumpets, drums and other percussion instruments, as well as the sound of drums, horns and bells.
The Afghan ruby contains many classical, traditional and folk melodies, and Rumi is often described as particularly remarkable. In Afghanistan, India, Pakistan and Bangladesh, the devotional music played during Sama ceremonies is known as "Sama," made famous in the 1980s and 1990s by Pakistan's Nusrat Fateh Ali Khan. Although music and religion were incompatible under the Taliban, Afghanistan was a center of Sufism where music was used to praise God. In view of the conflict between the music and religions of the countries, it was also the home of the mystical music of Islam, which helped believers to come closer to God and was a source of inspiration for many of the country's religious leaders.